eller: iron ball (Default)
Mirror Curse (1803 words) by EllerWrites
Chapters: 1/1
Fandom: Original Work
Rating: Mature
Warnings: Graphic Depictions Of Violence, Major Character Death
Characters: Original Characters
Additional Tags: Fantasy, Fight Scene, Swordfighting
Summary:

Mirror curses are complicated. Dorion handles the technical part. Cue combat.



Only a few very short comments about the fighting, though I will answer questions if necessary.

Behind a cut because of, um, violent topic. By necessity. )

Anyway. So, uh, that was a weird writing experience. I have no idea where this story/world/mess is going. (Yes, yes, this is clearly romantic comedy... XD I mean, I could.)
eller: iron ball (Default)
Today's "shitty knife" is one I bought a long time ago but never posted about it because I wasn't entirely sure whether I should call it a shitty knife or not. It's one of those extremely rare cases where it's actually quite well made, with only very minor production flaws, and the whole shittiness is in the design. It's also a cross-cultural clusterfuck. (Let's not even think about concepts like "cultural appropriation"; it will only give you headaches.)

So, uh, what do we have here? It's a knife that's made in Ukraine (it took a few months to reach me, but I'm not going to blame the seller for that, at least; blame the inconvenient war) and was sold as a "small Yakut knife", though that's clearly not quite what it is. I'd describe it as "crossover knife with Yakutian-type blade design but puukko proportions, made by someone who culturally understands neither puukkot nor Yakut knives" - and if that sounds like a phenomenally bad idea... that's because it is.

Full review and pictures behind the cut. )

When do you need this knife-shaped object? Ah, yes. Imagine you're stuck somewhere in northern Siberia, and the mango you brought for lunch is (predictably) frozen solid, but you need to peel it anyway. (Who doesn't know this unfortunate situation...) You'll be very grateful for this amazing tool!

tl;dr: This is amazing craft, but, at the same time, so badly designed it's really fucking useless.
eller: iron ball (Default)
So, if you ever thought historical dueling was all about "honor" and shit, think again... and maybe take a look at this extremely amusing 1611 German illustrated treatise on rapier fencing by Michael Hundt (yes, the guy was really called that and did not speak English so he would not have been bullied over it), who has some fascinating suggestions. We'll look at some pretty funny and (more or less... okay, hopefully less) relatable situations he describes! (I'm using my own translations and not the ones provided on that site.) None of this is supposed to be combat advice, or, worse, legal advice.

The first snippet I'm going to show here describes a somewhat unpleasant situation that's probably self-defense, unless the author himself started the fight. Context: Mike Hunt (:p) is talking about a hateful (that is, "real" and not regulated) fight that breaks out, and everyone is wearing different weapons, so there are no clear rules of engagement. Mike Hunt (:p) has, however, a good reason to assume his opponent is superior at whatever bladed weapon they are brandishing.

"
[...]und der eine hat nichts darinnen gelernet: So nemen E.G. an stat des Dolches ein kurz Rohr, allda wird sichs wol außweisen, was das beste bey der fache thut, oder nicht, Wo nich gleiche Wehren für dem Manne gebrauchet werden, denn in der noth muß man brauchen, was man erdencken kan [...]
"
([...]and one has learned nothing in it: so Y.G. take instead of the dagger a short barreled weapon, and it will become clear what works best in that case, or no, where not same defenses are used by men, because in an emergency one must use whatever one can think of)


Very pragmatic, that. "Just shoot him if you know you can't beat him in a bladed fight" is such a charming and down-to-earth approach to the problem! Not necessarily one the guys who obsessed over honor would approve of... but I think that shit is typically reeeeallly exaggerated in "historical" and fantasy novels, and most real people also would have chosen survival.

Generally, many situations Mike Hunt (:p) describes are much closer to self-defense than what today's writers understand as a "duel".

"
Es kömpt bisweilen, das einer bey der Nacht von etlichen angegriffen wird, es sey wo es wolle, bißweilen von vier auch von fünf oder mehr Personen, und wird mancher also uberfallen, daß es ihme sein Leib und Leben kostet, und forderlich, wenn einer sich bey der Nacht wil auff die Bulschafft begeben, do offt ein ander ihme auff den Dienst wartet, wie es denn wol bißweilen kommen kan, so thunn E.G. ein ding, und verwaren sich mit einem guten Rappier. Werden aber E.G. im heimgehen uberfallen, von den ganzen Hauffen der Feinde, so nemen E.G. das Rappier zu beyden Feusten, und schiessen es nach dem nazen hauffen, und sehen hernach, wo E.G. weiter können schuz erlangen, Denn nith bricht bißweilen Eysen, ehe man das Leben dahin giebet.
"
(It sometimes happens that one is attacked at night by several, no matter where, occasionally by four or five or more persons, and some people are ambushed in a way that costs them body and life, so if you are out at night in order to have an affair, and someone else is lying in wait for him as can happen sometimes, so do a thing and defend yourself with a good rapier. But if Y.G. is attacked while going home, by the whole group of enemies, you Y.G. take the rapier in both fists, throw it into the whole group, and afterwards see about getting safety. Because sometimes necessity breaks iron before you give life away.)


Yep. If you're ever attacked by a group of thugs while you just wanted to go and, uh... Look, this is reeeeaaally ambiguously phrased, and unless I'm very wrong about this man's mindset, this is entirely intentional. He's either out at night to visit a lover or to have intercourse in public. (With this guy, it's probably the latter, but there's just enough plausible deniability.) Either way, he's describing something that's clearly a genuine self-defense situation. "Throw your rapier at them and run" sounds like excellent advice when faced with multiple attackers, too.

Some other situations are just what you'd expect in a modern German bar fight. (Some things never change.) Mike Hunt (:p) is, of course, perfectly aware of the oldest trick in the book!

"
Wollen E.Gn. einem ein bossen reissen, es sey im fechten oder im balgen, im Dolch unnd Rappier zugleich, so brauchen E.G. nicht mehr, als diese wort, ich balge mich nicht mit ihr zweyten, sondern mur mit einem, und sich der wil umbsehen, so kömpt er zu kurz, und können ihn E.Gn. durch und durch stossen, auch ihn um hawen verleßen, wenn er nicht recht ist vor der Thür gewesen, und heisset recht: Biete dinem Feinde das Gesichte, trawe ihme nicht zu viel, das heist recht verführet, im fechten und im balgen, man kan es auch aunem aus kurzweile thun, wann E.G. lust zu einem haben im fechten, aber un der noth und in grossen unfällen ist dieses stück auch gut zugebrauchen.
"
(If Y.G. wishes to trick someone, whether it's in fencing or in grappling, same for dagger or rapier, so Y.G. does not need more than this word, "I will not fight you two but only one", and he wants to turn and look, so he comes up short and Y.G. can stab him through and through, or strike him down when he was not right at the door, and it is said correctly: "Face the enemy, don't trust him too much", this is a proper deception both in fencing and in grappling, you can also do it for fun if you are yearning for a fight, but in trouble and great emergencies this piece is also useful.)


If you now suspect that Mike Hunt (:p), who apparently not only stabbed people from behind for fun (let's be clear: that's not self-defense, that's just murder), but actually thought to publish the suggestion in an instruction manual (I think this, at least, is really just German humor and not a genuine suggestion... look, one can hope, right?), was generally not necessarily the most law-abiding guy ever...

"
Sehen E.G. daß einer mit einem Flegel bey der Nacht zu ir kömpt, vö wil nach E.G. schlagen (wie es denn bißweilen der gebrauch ist auff Universiteten, wenn man von Tische gehen, und von der Wache wird angegriffen, wenn offt einer etwas zuvor bey der Wache gethan hat, und ein anderer kömpt [...]
"
(If Y.G. sees that someone goes after you with a flail at night, and wants to hit Y.G. (as occasionally happens at universities, when you leave the table, and you are attacked by the guard, because often one has previously done something to the guard, and another comes [...])


...you might be correct. The guy this just occasionally happened to is, however, an excellent resource, providing priceless advice. (The actual fencing advice is less interesting, though - looks solid as far as I can tell without ever having used a real rapier, no obvious nonsense like in some other pamphlets of the time - but you find the same information also in other old publications... And the illustrations are clearly more interested in fashion design than fencing, which makes the whole thing hilarious.) By the way, he's also describing the classic "brick in a sock" (well, a bag of stones, but same thing) as "sometimes superior to three or four bare rapiers". That bag of stones would not have shown up in a "honorable" duel, either, but Mike Hunt (:p) values practicality over formality. (The whole thing just screams North German, right? Well. Mike Hunt (:p) was from what's Saxony-Anhalt today.) Strong reading recommendation! :)
eller: iron ball (Default)
Can you take a late stone age knife that was shitty by late stone age knife design standards - and make it worse?

Absolutely, and I'm very impressed by this. )
eller: iron ball (Default)
According to archaeology, everything has "religious reasons" anyway - but, this time, I'm going to review a shitty knife that really has a folk magic background. That's... not entirely uncommon in Northern Europe, and in many cultures you will find folk beliefs around knives, as well as dual-use knives with worldly purposes as well as an inbuilt anti-evil-spirit function. They're actually kind of hard to avoid unless you stick to the factory-made stuff. (Most knifemakers take pride in making knives that keep their customers safe, and in many European cultures this can include spiritual protection. I'm on the team of: that's nice, I appreciate the thought, as long as it doesn't interfere with the worldly stuff I want the knife for.)

This, uh, fascinating pocketknife is from Bavaria (Southern Germany), made by a lady with a Bavarian name, using Bavarian magic symbolism, and sold with a product description that explicitly listed "protection from evil" - so, Bavarian magic knife, yay! (I'm not a Bavarian, but I know enough about that culture to recognize some of their folk magic elements. Also: they're not what makes it a shitty knife.)

A note about cultural sensitivity: I will be mocking this knife-shaped object quite mercilessly, but not because it works on local Bavarian evil spirits. I'm mocking it because it works on nothing but local Bavarian evil spirits (and maybe some very soft cheese).

Let's take a look! )

It's just shitty work. The design? Shitty. The execution of said design? Shitty. The useability? Shitty. (And downright dangerous.) This definitely qualifies as a shitty knife all around (except maybe for the magic). I love it.

eller: iron ball (Default)
The saga of artistically questionable postcards goes on! This time, I drew the address of someone I already knew a bit from the Postcrossing forum - and they're another paleolithic art nerd! YAY! Of course, I could not resist the temptation to produce some cave art fanart.

faux-cave-painting

I prepared a piece of thick Kraft paper (A6 format) with sand (collected myself, of course) and acrylic paste, so the result looked kind of like a sandstone cave wall. (The closest approximation I could manage, anyway.) I then took charcoal and pastels and drew on it, which was somewhat tricky. I fixed the end result with spray varnish. (Also, obviously, I had to send it in an envelope, but I’m told it arrived undamaged, which makes me very happy.) This was SOOO much fun! XD
eller: iron ball (Default)
Part 1, Shadow theater, the process
Part 2, Papercuts and storytelling
Part 3, Shadow art, paper art

The little series continues - in part 3, I've mentioned seeing an animation of running animals in a cave with very old paintings, and I've decided to discuss this topic in a bit more detail... From the artistic perspective. (Art critique of paleolithic cave paintings is not really a thing, I'm afraid - not least because an archaeologist who goes "this cave is boring; I've seen better aurochs drawings" will be fired.) The bad news: I still have no idea which cave it was that I saw as a kid. I don't even remember the type of animal! (I was a little kid; I wouldn't have been able to identify prehistoric fauna.) The good news: a bit of research showed that cave art animation was, indeed, a thing in Very!Ancient!France and Very!Ancient!Spain. (So, I'm not completely misremembering things; good to know.) And it's suuuuper impressive: just imagine being in a cave, in the dark, and suddenly you're surrounded by running animals! (There is, of course, no proof whatsoever there were other aspects beyond the visual, but as a performer, I'd also add some percussion soundtrack as hoofbeat.)

There are actually several examples of this described in literature.

Check out, for example, this very nice paper, Animation in Palaeolithic art: a pre-echo of cinema by Marc Azéma and Florent Rivère. The authors argue that cave art was supposed to convey narrative as well as movement, and they back this up with examples from the Chauvet Cave, the cave system of Lascaux, the Baume Latrone, and several others. (The genre must have been popular!) Most interesting to me is that the authors also discuss the techniques used by those prehistoric artists: interestingly, they had both superimposition and juxtaposition of successive images in their repertoire, and they were able to make quite advanced stop-motion animation, which means they must have known and used the principle of retinal persistence. Consider me impressed... (The authors also discuss another animation technique: a very old thaumatrope. There's also a short (2-minute) video by Marc Azéma, showing pretty neat examples:


...you get the idea.

If you want to see actual shadow art... There seem to be several examples of that as well. On Youtube, I found this very nice 1-minute video of a bison shadow of a decorated rock, in El Castillo cave (Spain):


Whoever made that bison shadow was a really great artist. And that's a shit ton of work that went into the piece...

Have I mentioned that shadow art is really fucking old? Here's an interesting article about the phenomenon, including the reconstruction of the light sources that would have been available to the artists, and how that influences the way the art looks.

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eller: iron ball (Default)
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