ain't no time to wonder why

Jun. 17th, 2025 08:32 pm
house_wren: glass birdie (Default)
[personal profile] house_wren
I made a mistake and read news about the world.
but_can_i_be_trusted: Basically, have your fun (provided everyone consents/is of the age of consent), but please leave me out of it. (Apothisexual Pride)
[personal profile] but_can_i_be_trusted posting in [community profile] 100words
Title: 'Justification'
Fandom: Doctor Who
Rating: G
Notes: Crossposted to [community profile] drabble_zone and [community profile] anythingdrabble

Justification )

Prompt: #447 - Bone of Contention

Jun. 17th, 2025 01:21 pm
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[personal profile] sweettartheart posting in [community profile] 100words
This week's prompt is bone of contention.

Your response should be exactly 100 words long. You do not have to include the prompt in your response -- it is meant as a starting place or inspiration only.

Please use the tag "prompt: #447 - bone of contention" with your response.

Please put your drabble under a cut tag if it contains potential triggers, mature or explicit content, or spoilers.

If you would like a template for the header information you may use this:

Subject: Original - Title (or) Fandom - Title

Post:
Title:
Original
(or) Fandom:
Rating:
Notes:




If you are a member of AO3 there is a 100 Words Collection!

Mingei (book report)

Jun. 17th, 2025 11:00 am
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[personal profile] foxmoth posting in [community profile] prototypediablerie
Amaury Saint-Gilles' Mingei: Japan's Enduring Folk Arts (©1983, Charles E. Tuttle Company) is a book I picked up at a library booksale while visiting family, not least because I'd owned a copy back in uni. According to the introduction by Dr. Martha Longenecker, mingei was coined by Dr. Yanagi Soetsu to refer to "arts of the people," describing "folk art" or works often made by "unknown"/unattested artists/artisans/craftspeople.



As I'm not Japanese or a scholar of Japan or art, I can't fact-check anything in this book, which is about 250 pages of a survey of various such "folk art" items of different types (woodworking, textiles, etc) and their cultural contexts. A few typical two-page spreads:



This one depicts higa-no-ita-kaku-riki or ita-sumo, wooden sumo wrestler toys, with some context on sumo wrestling (also a sport I know nothing of, alas.)



Here is described kataezome and aizome, two distinct types of indigo-dyed cloth, with a description of e.g. the dye stencil process. The use of cloth stencils is of course different from the use of wax + tjanting, but I am conceptually reminded of Indonesian batik techniques.

There are also a few color plates, like this one showing the making of a koi-nobori (carp pennant):



This isn't intended as instructional material; I imagine a skilled artisan in a relevant discipline could work out how particular items are made, but there isn't enough space to go into detail. As a survey, however, the book is a delight to browse through.

In Stars and Time - Pain Au Chocolat

Jun. 17th, 2025 10:12 am
gimmighoulcoins: (feeling small)
[personal profile] gimmighoulcoins posting in [community profile] 100words
Title: Pain Au Chocolat
Fandom: In Stars and Time
Rating: PG, Siffrin's got some intrusive thoughts but it's overall on the lighter side
Notes: Contains endgame spoilers, albeit vaguely!

Read more... )
foxmoth: (Default)
[personal profile] foxmoth posting in [community profile] prototypediablerie
I was looking to create a very light and thin watercolor dot "palette."



Platinum Preppy for scale.

...yes. Made of two card sleeves (Magic: the Gathering size) with watercolor ATCs for a bit of stiffness and washi-taped together. I suspect this will get messy, but when painting watercolor sketches on the go, I'm often mixing on the paper. It doesn't have to work for long, or at all; it was cheap from materials I had around the house and if it is unworkable, I can try something else.

Slightly eccentric choice of watercolors
- PR214 Old Holland Scheveningen Red Deep
- PV19 Old Holland Scheveningen Rose
- ?? Daniel Smith Amethyst Genuine
- PB60 + PBk6 Daniel Smith Indigo
- PB16:3 Old Holland Scheveningen Blue
- PY213 Greenleaf and Blueberry Quinoxalinedione Yellow
- PO48 + PY150 Daniel Smith Quinacridone Gold Deep
- PG7 Greenleaf and Blueberry Phthalo Green blue shade

If you must know the truth, I can't find my main stash of tube watercolors, so some of my go-to pigments aren't represented here. But for watercolor sketching and an experimental low-cost DIY travel palette, it doesn't matter.

The Why of Sketching

Jun. 16th, 2025 09:08 pm
foxmoth: (Default)
[personal profile] foxmoth posting in [community profile] prototypediablerie
I picked up George Hlavác's The Exceptionally Simple Theory of Sketching: Why do professional sketches look beautiful? in a used bookstore. It's an exceptionally slim volume, under 40 pages, with included shading practice sheets, and it's a treasure.



The Why of Sketching
Draw like a professional and you will be a professional.

Some people make rough, fast, nonchalant sketches and they look brilliant. For others, it takes hours of blood, sweat and tears to produce drawings that are accurate yet still look unprofessional. The question is why?

As a lecturer in cognitive ergonomics at the Rotterdam University of Applied Sciences, I consider human reactions to visual information, and I also teachg sketching. So I thought that if I could analyze and describe how our mind reacts to different aspects of handmade sketches, I would be able to teach drawing skills much more easily.

Sometimes I meet an 'old school' teacher of sketching whose main aim is to teach people to draw accurately. I am convinced that this traditional way of learning to draw is fundamentally wrong, because even if people learn to draw accurately, their drawings do not convince.... (5)

I'm not an artist, but just anecdotally, from my own experiences attempting to learn to draw, this feels true. Weirdly, it's the scribbly fast sketches that felt fluid to make that people respond to over the painstaking yet inexpert slow drawings. For that matter, this tracks my experiences in recreational friendly handwriting forgery: the fluid, assured, less accurate forged signature is much likelier to "pass" than the painstaking slow copy. (It was a family joke.)



I feel this is the single two-page spread that best encapsulates the book's thesis and approach: the left-hand examples are "more" accurate and painstaking, but look incredibly unconvincing; the ones on the right are less precise, but they have a dynamism that conveys assurance.

I had generally taken it as read that the way to dynamism was by starting with painstaking accuracy, but perhaps I was wrong and scribble-sketching was the road to greater accuracy! Possibly this varies by artist; I'm no art instructor either.

Regardless, I've been photocopying the exercises to do one by one. I have been attempting to get back into a sketching/drawing practice during these few weeks of vacation, where by "practice" I mean "one drawing a day." I'm recovering from some medical experiences, so I want to set the bar as low as possible rather than work myself back into the hospital.



I never push the darks dark enough (as multiple artists have gently told me), but it's all right: I know that's an issue, and since I'm aware of it, I can keep working on it, slowly, in my own time.
volkameria: Eito (hundred line) looking over his shoulder (pic#eito_determined)
[personal profile] volkameria posting in [community profile] 100words
Title: Made to Order
Fandom: Crossover between The Hundred Line: Last Defense Academy and Dungeons and Daddies: The Peachyville Horror.
Rating: G

The counter shone until blinding. )

(no subject)

Jun. 16th, 2025 07:47 pm
used_songs: Shelf loaded with old books (Bookshelf)
[personal profile] used_songs
I finished Bat Eater this morning. I ended up really liking it, although it felt a bit rushed at the end. But I loved what the author did with the ghosts and the ways in which she had Cora change and grow.

I read a bit more of Teaching with AI, but so far it's been a lot of "What is AI? What do all of these letters mean?" background. I might actually skip some bits so I can get to the actual topic. 

We finished season 2 of Severance today as well, so I am open for discussion if anyone wants to talk about it. I don't know how I would've ended it (not like that!), but it definitely gave E and I a lot of room to speculate about season 3 and what the focus will be.

We started Ted Lasso today and so far I'm not digging it too much; however, E seems to like it. There's just a lot of CONFLICT in the first 2 episodes and it's stressing me out.

Did you know there is a Jessica Fletcher action figure?! Sadly, it's pretty expensive and I have vowed not to buy a lot of unnecessary fan stuff like figures, but it's super tempting. 



Innovative cooling

Jun. 16th, 2025 10:45 pm
dhampyresa: (Default)
[personal profile] dhampyresa
Is it too hot (hot damn) and you would like a break? You would, in fact, not mind if you got so cold your teeth chattered? Consider: PLATELETS DONATION!

They take the blood out, they spin it around, they put it back in!

LJ Idol Prompt #1: Quality

Jun. 16th, 2025 03:14 pm
used_songs: (dog love)
[personal profile] used_songs
Yesterday I sat on the couch next to you because you were in a rare mood for cuddling. You turned your little head and looked at me with your big, blank, brown eyes. Same dark lashes. Same black mask, just shading white around your mouth. Same soft wrinkles. But your eyes. Flat and expressionless, and liquid and curved, and alive and endless.

If I stare deeply enough, I can see them. The tiny pyramids that are also on the back of the paper money. A camera lens watching me. The triangles are far back in your eyes, deep in the black pupils, shadowy like storm clouds. But they are there. I think it’s possible that is what reflects my flashlight when we go outside early in the morning.

Maybe not.

Yesterday I sat and stared into your eyes, beautiful girl, and the cameras were watching me back. Someone sitting in a room full of 90s office furniture, squeaky chair, framed certificates and ballpoint pens, heavy plastic monitor next to a landline, was staring at me. I could feel them, feel the weight of their intensity. What are they watching for? When you stare at me in order to make me give you a treat, what do they see?

I don’t care if you’re a spy. I love you.

I have given you salmon oil in your high quality kibble, boiled chicken and white rice, pumpkin puree, an assortment of healthy fruits and vegetables, washed your feet, wiped your face with coconut oil, loved every one of your rolls, kissed your soft head, dusted beige probiotic powders over your food, bought you a thousand dollars worth of toys to destroy, comforted you over every trimmed nail. I don’t care who you work for. I don’t care if you are real.

I don’t care if you are spying on me. You have brought 346 sticks into the house that I have had to take away before you chew them up and eat them. I have pulled threads of grass out of your butt when you panicked and ran, tucked up like a round ball. I pick up your shit.

Yesterday you turned your little head and you looked at me and you yawned, white teeth, pink tongue, the elegant ruga along the sides of your lips, the black spot across the ridges of your hard palate, the dark tube of your throat. You leaned in and I could feel your breath against my face. I leaned in. Your fur is soft, you smell like sunshine and sticks and dried mud. You have tiny brown hairs, the most perfect brown that has ever been.

Yesterday I thought about the other dogs, the ones who already lived and are sealed in caskets upstairs, always with me. Did they have spy cameras, robotic intelligences like you? Were they cameras? Did they each have their own bureaucrat, sitting in an uncomfortable chair and watching? Or are you special?

Am I the eyes looking back at me, looking up while looking down? Are you me? I wait impatiently, as you refill the blue bowl with clean water from the tap. But I prefer the hose outside and maybe I will tell you I need to go out just to drink that water. Press my nose to the door until you open it and then make an immediate right to the spigot. I wait impatiently by my yellow bowl, as you use the big spoon to measure out chicken, to mix in the powder, to add chicken broth. You set it down. I am excited. You set it down. I dance. You set it down. I am so hungry!

Yesterday I looked through the eyes and I saw a cascade of water, the smallest insects, the fallen sticks, the edges of the cut grass, the metal strip at the bottom of the door. But, of course, the equipment isn’t built to transmit the smells and tastes or even how it feels to be alive. I can see and I can hear, but that’s all. I lean back in my chair and it squeaks.

I lean down, smiling, “That’s all, mama. That’s all.” Straighten. “Go take a nap while I wash your bowl, sweet girl.” I turn back to the sink, the counter tops cool beneath bent fingers.

You know there are robotic dogs, now, that have simple AI, that can make a few decisions, that can rebalance themselves like animals that are kicked, that can trot and climb and accompany people. Is that who is in the pyramids, not an outside watcher, but an inside one? Who is inside you? When I touch the little remolino on your hip, you feel warm and real. When I look across the table and you pick up your head from your loose sprawl in the exact center of the kitchen floor, in the way of everyone and every cabinet door and the oven and the refrigerator.

Yesterday on the hammock you rolled over and covered my feet, but you were watching the squirrels and maybe you didn’t notice. I’m shredding your chicken and you are drooling on the floor. The mockingbirds are eating the chiltepins off that bush that sprang up in the yard, the one you chewed up last winter and I thought you had killed it but I didn’t care.

Yesterday the squirrels climbed the greased pole to get to the bird feeder. Their flicking tails made you angry. You told them. You ate a fly.

Pyramids are where queens lie, that’s where the treasure is. If it comes to it, if I have to entomb you in the dark box, think of me like a sacrifice, a portrait painted on the walls to accompany you.

Beautiful dog, beautiful girl, the most perfect brown dog ever, your beautiful eyes, your dark lashes, your soft face, the dark bars across your toes, your wrinkles, your beautiful rolls, perfect, perfect, perfect. Watch me like I watch you. Wonder about me like I wonder about you. The mystery of a person who is not human, who looks at me and wonders. I know your dark eyes are wondering. The little alien on four legs that is sitting on my couch as I type this. The little alien who dozes when Alexa plays Philip Glass, the person who plays with her sweet potatoes and her plushes, who is not allowed upstairs but sometimes goes there.

It’s stupid to talk about yesterday and tomorrow when we live in the infinite now. I sit on the couch next to you because you are in a mood for cuddling. You turn your little head and look at me with your big, blank, brown eyes, alive and endless. You turn your big head toward me and look with brown eyes, too.

FAPA blues

Jun. 16th, 2025 08:39 am
elf: A typewriter with a single page with the word "Story" on it. (Typewriter)
[personal profile] elf
Got the most recent FAPA mailing, #351. It's fewer than 60 pages. While we're up to 21 members I think (I don't have it with me right now) - up from the 14-ish when I joined a few years ago - the page count has dropped recently, possibly in part because the Org Editor can no longer print people's entries for them. (He retired and no longer has access to the work printers.) So the overseas members are no longer sending in quarterly submissions.

defining terms )

FAPA's contribution requirement is 8 pages a year, which can be 1 double-sided sheet of paper per quarter. This was not particularly onerous even in the days of hectographs. It is, however, apparently enough of a hassle that several current members only technically meet it - sending in that single sheet a quarter, and it's only a page and a half, and it's in 14-pt type and includes a picture covering a quarter of the page. If there were still a waiting list, they'd be bumped for failing to meet the contrib requirements. Since there hasn't been a waiting list this century, this is not an issue.

There are scans of some past mailings (or rather, parts of them) and scans of Fantasy Amateur, the official org zine (aka, the index & list of members), which stops right at the point where membership started dropping below the max of 65.

...Anyone want to join a venerated scifi institution that's been fading since the dawn of the WWW?

Requirements:
* Send 25 copies (currently) to the OE, minimum 8 pgs/year; can be sent quarterly, annually, or anything in between. More details inside )

IPQ 2025 PDPHs

Jun. 15th, 2025 08:00 pm
idficmod: black-and-white line art icon of a human brain (Default)
[personal profile] idficmod posting in [community profile] yuletide
Event: Id Pro Quo
Event link: [community profile] idproquo
Pinch hit link: https://idproquo.dreamwidth.org/tag/pinch+hits
Due date: June 20th, 10pm EDT
Work Minimums: 2k fic or finished artwork

PH 47 - Hazbin Hotel (Cartoon), Hazbin Hotel (Cartoon), Hazbin Hotel (Cartoon)

PH 49 - Clean Slate (TV), High Potential (TV), Crossover Fandom, Crossover Fandom, Crossover Fandom

Thank you for considering our pinch hits!

Books?

Jun. 15th, 2025 10:54 pm
dhampyresa: (Default)
[personal profile] dhampyresa
How many books are you usually reading?

I have a minimum of 5 on the gp at any given time: one each of fiction and nonfiction on both phone and ereader (no overlap) plus a paper book that can be either.

readings: spinning

Jun. 15th, 2025 02:44 pm
foxmoth: (Default)
[personal profile] foxmoth posting in [community profile] prototypediablerie
I picked these up by raiding the local public library.

- Alden Amos. Spinning Wheel Primer.
Very brief overview, with diagrams (lineart). I skimmed this.

- Amy King. Spin Control: Techniques for Spinning the Yarn You Want.
To my relief, this covered a number of plant fibers as well as wools, animal and other protein fibers, etc. Getting a general rundown/overview was useful. Also the photos of yarns/fibers/knitted samples are very pretty! I skimmed this.

I am starting to wonder if I am a yarn mutant because I hate working with fuzzy fluffy yarns (as opposed to petting a skein once, lovingly, and moving on), especially hate thick bulky yarns (and the fuzzier and fluffier they are, the more I dislike interacting with them), and usually want to kill them with fire; but I live in the US South so "warm" is a negative recommendation for climate reasons. Less surprisingly, "the yarn you want" is addressed almost exclusively to knitters, and to spinning wheel spinning (vs. spindles).

- Jillian Moreno. Yarnitecture: A Knitter's Guide to Spinning: Building Exactly the Yarn You Want.
One of the two objectives of this library outing, highly spoken of, but I didn't want to commit to buying a copy sight unseen. It has a section on spinning silk, which I am interested in. A lot of useful information on fiber preparation and drafting and dyeing etc. There are sections dedicated to specific knitting topics, some of which may or may not be of interest for non-knitters. I am, at this point in time, profoundly uninterested in knitting as a use case for anything usable I producde. (No shade to knitters! I'm terrible at knitting and didn't enjoy it enough, after a couple years of experimenting with lace knitting, to persevere.)

- Karen Pauli. The Care and Feeding of Spinning Wheels: A Buyer's Guide and Owner's Manual.
Lineart and detailed explanations/troubleshooting tips, plus a section of considerations when making a spinning wheel if one is a woodworker, which I am not. I want to read this one more closely.

- Deborah Robson & Carol Ekarius. The Fleece and Fiber Sourcebook.
One of the two objectives of this library outing. I wanted to have a look since this book is highly spoken of, but also I don't have a strong urge to keep spinning wool, so I was reluctant to buy a copy. This looks like it focuses on animal fibers. Hilariously, it includes a brief section on "dog, wolf, and cat."

Also, for a wild outlier in more or less the same section as some of these books:

-Jacqui Carey. Beginner's Guide to Japanese Braiding: The Art of Kumihimo.
My feelings toward kumihimo aesthetically are equivocal - terrific art but not one I feel particularly compelled to dive deeply into. Still, I enjoy skimming/reading books on crafts I have no intention of taking up.

DIY backpack: research

Jun. 15th, 2025 07:25 am
foxmoth: (Default)
[personal profile] foxmoth posting in [community profile] prototypediablerie
I have had the devil's own luck with backpacks, probably because I am hard on my gear, so I'm investigating making my own, likely some form of canvas for a lighter weight, although leather is what I have on hand.

I picked up Vick Koling Hines' How to Make Your Own Lightweight Camping and Hiking Gear (out of print), likely off a rec on r/myog ("make your own gear"). I've only skimmed it, but this looks like an excellent resource although the notes on materials are likely dated: not in a bad way, but in the sense that there are probably modern materials whose performance isn't discussed.

I am particularly interested in camping/hiking gear because ruggedness is a prime consideration. I don't hike anymore (alas), but I often have to tote around a heavy laptop and/or books for work reasons. Having had multiple backpacks fail on me over the years, I'd like to either DIY or learn to repair the ones that break!

I admit being able to customize pocket size and placement is also very motivating.

At this point, the most common failure point is a zipper going bad, but I've had some strap failures as well (on one case, on a leather backpack, due to a friend well-meaningly mishandling the backpack and causing too much extra load at a particular stress point that wasn't designed for it). I haven't done a zipper replacement myself, although I've seen it done by family members who opined that it's Annoying Mode even for an experienced sewist on something like a backpack, especially when curvatures are involved. The strap failure is likely, in principle, a simple repair but I have put off going in with a seam ripper in preparation for cutting and sewing in a replacement part.



I'm not typing this out, but the Table of Contents starts with a discussion of materials, closures, hardware etc, then discusses sewing and techniques, then projects ranging from garments and tents to bags and ways to customize them.



My experience is a lot of books on patterns and/or making gear will assume some basic prerequisite knowledge of e.g. handsewing or curved seams, which is not unreasonable! But this does appear to be a book that could reasonably be used as an all-in-one basis for getting started.

An example pattern excerpt:



(I am unlikely to make a tent as I suspect the materials would be more expensive than buying a well-made manufactured one!)

Turkish drop spindle

Jun. 15th, 2025 12:30 am
foxmoth: (Default)
[personal profile] foxmoth posting in [community profile] prototypediablerie


ETA: A couple kind people on r/handspinning pointed out I had the arms on upside down, whoops! Easily fixed, fortunately. :D

This is not good spinning, but it's spinning at all. I am having a deuced difficult time attaching yarn to the leader, which I'm told is a typical learning curve issue.

The Turkish spindle I have is much lighter, at most half the weight of the bigger drop spindle from the kit I bought off Etsy. I kept running into the issue that I was attempting to spin too fine for the heavier spindle, because the yarn would break. At some later point I'll show how the Turkish spindle comes apart by design, but there are plenty of internet pictures/videos showing this. The heavier spindle also hurts my hands after a while (medical issue). I may try the supported spindle to see if that's any easier on my hands as well.

I'm convinced this is a skill issue but I cannot handle Corriedale wool at all from the kit. I'm having much better luck with some of the Blue-Faced Leicester (I have since learned that everyone in spinning abbreviates it as BFL) that I inherited along with the spinning wheel.

I don't love wool generally and would eventually like to move on to cotton or flax (or, if I obtain some prerequisite of skill, silk or silk blends). My inclination is to want to spin fine; I disliked chunky/thicker yarns texturally even when I was knitting actively, and no doubt this has something to do with coming from embroidery and cross stitch first, or just plain sensory preference.

It's true that the drop spindle is much more portable than the spinning wheel.

Meanwhile, for fiber arts, I'm convinced the most useful knots are:

- overhand/trefoil
- square knot
- granny knot (there are times you want this!)
- half-hitch
- lark's head

Those are the only five knots I can manage without looking up a knot theory book full of crossing diagrams (heh), but they cover 90% of my typical use cases. (It is as well I'm no sailor!)

readings and resources
- Abby Franquemont's Respect the Spindle (~$20 USD) is a great overview; I would have liked more help troubleshooting but that's likely a me problem, or something that's best done in person!

- Amelia Garripoli (of Ask the Bellwether, a fiber blog) has a 40-minute video tutorial on Longthread Media (paid, either streaming or download, about $15 USD). I was baffled by written descriptions of how to use a Turkish spindle and had trouble finding a YouTube video that made it make sense to me, but Garripoli is terrific at explaining slowly and clearly. I'm also aggressively slow at working things out from text/video vs. having someone walk me through the thing interactively, which is a me problem. I'll be looking for more of Garripoli's videos as her teaching style works for me.

ache

Jun. 14th, 2025 09:35 pm
house_wren: glass birdie (Default)
[personal profile] house_wren
Nature report:

1. As usual this time of year, there are fawns in the field near the house. A single and a set of twins.

2. A raccoon is walking by every afternoon to see if we forgot to oil the metal pole that holds the suet feeder. (We did not forget.)

3. A snake slid into the hole that was made by a 13 lined ground squirrel that used to live near the front stoop. Maybe the snake ate the chipmunk?


I now have hearing aids. Wow. They are so much better than I imagined. Highly recommended.


All over the world people are horrible. I shouldn't be shocked, because I like to read history, and history is full of monstrous things that people have done. I am shocked though.


I am still listening to I'm Sorry I Haven't A Clue. There are 564 episodes on Fourble and I'm now on 459. Sometimes it makes me laugh so much my sides hurt. I'm also watching episodes of Radio Star on Viki. I can see why it wins awards.


Thank you all for your posts.
but_can_i_be_trusted: (Love)
[personal profile] but_can_i_be_trusted posting in [community profile] 100words
Title: 'The Klutziest Waiter'
Fandom: Friends
Rating: PG (Warnings for a hint of innuendo)
Notes: Crossposted to [community profile] emotion100

The Klutziest Waiter )

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